The Change of the Baskerville

The Hound of the Baskerville has changed since the original story by Arthur Conan Doyle in the early 1900's. In order to keep the attention of the people in the 21st century it had to be updated to appeal a time period of people who are more sophisticated. Some of the changes made were to evoke fears of the 21st century, there were also personality changes, and some other things changed and some stayed the same. Which I believe may be the change of the definition of 21st Gothic.

I think that one of the larges changes is how science has become the new supernatural. That science is something to fear it is part of the unknown to most of us, because we are not scientist. When the military is doing genetic testing and development on animals and humans. So now the hound of Baskerville is not simply a dog, but a genetically altered dog, and acronym for a group of scientist who had worked of chemical warfare. People worry everyday about what is being developed by the government where is the line drawn between the development for good and evil. There have been events in the passed when experiment have been conducted to unknowing individuals, that is why this line of thinking is frightening to the average person. Along with the science comes the science lab, which in the old text was a castle. However, most of us are not very afraid of castles. Yet being trapped in a science lab, especially where genetic altering is going on is a bit intimidating. The moor is not a place where the supernatural occurs but where you might step on a land mind, not to safe. The updates make this version brings more creep than the earlier ones.

There are also changes to Holmes and Watson. Holmes is clearly a man of genius, he appears to be a person with high functioning aspergers or some other disorder under the autisms umbrella spectrum. He is more sensitive to how his behavior effects Watson. Even though he still does things in the name of discovery. Like when he locks Watson in the lab and turns out the lights and makes hound noises to scare Watson, in the name of science, because science is scary. He hurts Watson feelings by saying that he has no friends and later explains that he only has one, we like the bromance in movies these days, which if you think about it, it is a bit Japanese. Holmes is younger, cuter, and cooler than in the past. With his black hero coat.  Watson on the other hand is a lot different in the way he challenges Holmes, the old Watson would have just followed Holmes' lead. Watson is more of a free thinker not just an obedient servant of the past. He is really laid back and casual. Which allows him to help balance the act of the Holmes/Watson dual.

Here are some character that have changed in one way or another. Henry is still haunted by the hound of the Baskerville, but it is not a family curse. Dr. Mortimer is still Henry's doctor, but is a beautiful woman. Barrymore still works at Baskerville but is a general not a butler. Stapleton is still studying species but is not a man or the villain. Franklin is still investigating things but he is the villain, trying to cause Henry to have a psychotic break.   

So I believe that science is the new supernatural causing the fears that were once presented by the unknown of the supernatural. There are so many things that are still a mystery to us that may be supernatural, which scienctist are searching for the answers to everyday. There are things done in the name of science that many take issue with due to the method in which the testing or discoveries are handled. So yes what was scary in the past is not the same as what strikes fear in the 21st century, yes Gothic is changing.




 

Holmes vs. Watson

In The Hound of the Baskerville, the hound strikes fear in the heart of the Devonshire residents and the Baskerville heirs. Watson narrates the story explaining how he and Holmes both deal with fear. Holmes' relationship with fear is not that of the average person, but Watson's fear is common placed. Holmes believes that fear is no more than an obstacle that simply needs to be analyzed in order to eliminate it.

Holmes knowing the curse of the Baskerville pretends that it truly may be something supernatural, by telling Sir Henry to stay away from the moor after dark. Yet, he is living on the moor in one of the decaying stone huts. Holmes is obviously not fearful of a legendary supernatural hound that is said to reside on the moor. Watson on the other hand claims not to be afraid of the superstition of the moor, but when he hear the howling of the unknown it chills him.

Both Holmes and Watson are men of action. Even when Watson knows that there is a reason for fear he approaches it. Watson attaches fear without thinking it through, a good example is when he finds the lair of the mysterious man of the moor. He enters the hut not knowing what he may encounter, fortunately it was only Holmes. Holmes on the other hand is very observant and thinks everything through and devises a plan. A great example of this is when Watson wants to charge in and take Stapleton, but Holmes explains that they must have evidence otherwise Stapleton will know that they are on to him. 

Although Watson is a charge through your fears and ask questions later kind of guy and Holmes is a work out the puzzle to eliminate fear type of guy the work perfectly together, like the two sides of  the brain, different functions by needed to make things work.

Latin American Gothic

I recently had the opportunity to read some interesting Latin American short stories; The Gospel According to Mark, If You Touch my Heart, and A Old Man with Enormous Wings: A Children's Story. These stories all had traditionally Gothic elements such as oppression, decay, misunderstanding of characters, but what was culturally unique was the introduction of "magical realism."

Magical realism is the style of writing that allows familiar things to feel strange and strange things to feel familiar. In The Gospel According to Mark, the Gutres family after listening to Espinosa read the book of Mark, believe that it is their responsibility to conduct a reenactment of the sacrifice of Jesus, with Espinosa playing the part of Jesus. As followers of Jesus that believe it okay to make this sacrifice thinking that the bible says that they would be forgiven. This bizarre behavior is strange but it is happening in the story which has pulled you in to its disbelief.

In If You Touch My Heart, a girl is held captive in a dark dank cellar of an abandon mill for decades. She is so neglected that she start to decay and becomes a part of the actual earth, with lichen, bushes and silkworms growing on her body. Although she is being abused she has no knowledge of this neglect. Even though we hear about abduction all the time the description of the events are not vividly drawn as in magical realism.

Magical realism makes us examine ourselves in A Old Man with Enormous Wings, a story about a fallen angel. The angel is not what we would expect an angel to look like; old, bald, toothless and missing feathers. The people of the community only wanted to use the angel for personal gain. The Priest wanted the angel to prove that he indeed was an angel, which in the Priest eyes the angel had failed to do. It is ironically called a child's story because it is filled with lessons; don't judge a book by its cover, respect everyone, and to remember that we are all imperfect and that we should always show humility.

Magical realism gives the ability to see things that generally go on notices as special, and realize that the thing that we regard as special may not be as special as we believe. This is what is culturally unique about the Latin American Gothic Stories.

Western or Japanese? Howl's Moving Castle

          

          Howl's Moving Castle, is a delightful animated movie by Miyazaki. There is lot of supernatural events occurring, decay, dark corridors, secret identities, curses, oppression and romance. These element of goth are familiar to both the Western and the Japanese. However what is different is how some of the trope are interpreted by the Japanese.

           Traditionally in Western Gothic oppression is usually expressed by a man's hold over a woman, but in Japan the transgressor is most often a woman, so in the movie there are multiple women oppressors. Sophie oppresses her self initially, by tying herself to a business because due to family obligation, which is also a subtle Japanese trope; that of obligation. Sophie is later the transgressive woman when she invites herself to stay at the castle as the housekeeper. Although, Sophie's oppression turns out to be a gift to all that live in the Castle. However, there are two other women that are witches who are not as good, the Witch of the Waste and Madame Seville. The Witch of the Waste has cast a spell on Sophie, which actually liberates Sophie   from her self made imprison, of the hat shop. Madame Seville is the true villain in the movie, attempting to control everyone and everything. She is the cause of the war that is taking place, by turning the Prince in to a scarecrow, which everyone thinks was a kidnap by the other warring kingdom. Which starting a war in Western culture is usually the male role in fiction, if not in history.

           The secret identities of the males in the story are a mix of both cultures. The Prince as the scarecrow gives you a like bit of Oz and Howl in his dark monster bird form gives you a little Beauty and the Beast which I believe is so Disney, Western. Then you have Calcifer and Howl's bond although supernatural it is Japanese, a pure love of two men that are obligated to one another, subtle so some westerns may not get it.

           I believe that another thing that some viewer of the west may not get is how the emotion of the character affect the physical features of the characters. Like when Howl is losing it because he has lost his beauty he begin to melt or decay into a be puddle of slime or how Sophie is morphing back forth from old to young depending on her mood. Or the emotion that is demonstrated regarding the war that is taking place in the kingdom, how Miyazaki's characters protest war. This bombing of house is Japanese, having experienced this type of warfare to their country. 

          I believe also what was Japanese is the self sacrifice that Howl exhibits when he is in his bird form. Knowing the he could possibly lose his human form if he stays in his bird form for to long he continues to go out to fight the evil that is propelling the war, it is reminiscent of the Kamikaze during WWII that would use themselves and their planes as human torpedoes.

          Howl's Moving Castle is romantic and it give us Westerns our happy ever after ending, the heroin gets the boy, and they all go off with their new make shaft family. This film has so many twist and turns to speak of I could go on for awhile, I suggest viewing it. It is a film appropriate for the whole family. This movie is great and beautiful, and I am looking forward to adding it to my collection.

Howl's Moving Castle

     "If you liked the book don't watch the film" according to "Poisonedcherries," who has some strong feeling about the movie. "Poisonedcherries," was very disappointed that the movie didn't follow the book closely enough. She love Calcifer, but was repulsed by the Witch of the waste. She admits the there were funny parts, but can't understand how a book so great can translate into such an awful film. Although, fortunately for me I've never read the book so I found the movie quite delightful.            
                                                                                      
     Calcifer I must agree with "Poisonedcherries" is
awesome, he is the heart and soul of both Howl and the castle. Calcifer is what keeps everything running.                            




     I love how Sophie once a young, innocent, introvert, with a since of duty to her family is turned into a old, speak you mind, bossy, grandma type with a since of duty to her friends. Although, the Witch of the Waste was horrific to look at, and evil after having her heart broken by Howl, she later turns into just a sweet old lady who is still in love with Howl.


    I also love how the story didn't have a typical happily ever-after ending the Disney usually provides. It did have one but Sophie had two males that believe her to be his true love. The scarecrow or Turniphead as Sophie called him. He and Howl, each are Sophie's protectors. Although, Turniphead may have had a motive for taking such good care of Sophie, like the traditional Disney true loves kiss. I must say that he was loyal to Sophie long before he knew that she wasn't really an old woman. Turniphead got his kiss, but not the girl. That was to be Howls reward.
     Howl did not only receive the reward of Sophie but also the reward of courage. Howl believed that he was nothing if not beautiful. So yeah he was a bit narcissistic, being in love with himself and all, but Sophie helped him become a better man, one of internal strength to match his external strength. So he no longer has to run, he has a heart of fire and his Sophie and they live happily ever after.



     So I don't agree with "Poisonedcherries" about the film, but I don't understand how one may feel let down if their favorite book isn't present in a light which one was expecting, oh well "Poisonedcherries" get over it. Better Luck next time, but for anyone who hasn't read the book give it a viewing and if you have read the book,  take a look and decide for yourself.

 

Japanese Gothic Literature

    After spending a great deal of time of European Gothic literature I have had the opportunity to experience some of the Japanese Gothic literature. What I have found is that the both have similar themes, but are expressed differently. Oppression in the European Gothic is generally a man oppressing a woman or women, as in The Castle of Otranto, Manfred was the oppressor of his wife, daughter and dead son's fiance. However, In the Japanese Gothic the oppressor is often a woman, as in The Tatooer, the young geisha becomes the tormentor of men, beginning with the tatooer as her first victim, even though he is who has helped her unveil her true self.

     Another theme is the supernatural, this is presented in most Western Gothic, the living portrait in The Castle of Otranto and the zombie sister in "The Fall of the House of Usher." These supernatural events were signs or punishment for the acts of the living. Well in the Japanese Gothic you have these types of events but it is usually due to something that the dead has done, a pledge unfulfilled as in "The Chrysanthemum Vow,"  Saomon returns as a ghost to fulfill his pledge to Samon.

     Now that I have seen Gothic through the lens of a different culture I can see that the themes are similar but the interpretation is different. The Western and the Japanese Gothic literature both have the emotional intensity, but while I was reading The Surgery Room it touched me very deeply I could really feel the couples sorrow. So I guess in some ways I feel as though the Japanese are a little more intense, which I think is due to our culture differences. 

Graphic Novel

The graphic Gothic novel brings an intensity to the novel that is not seen in the traditional Gothic novel. In Niel Gaiman Sandman the visual panels pull you deeper into the story by giving you Gaiman's idea of what is creepy or not so creepy. Like in "Imperfect Host" he showed the gargoyles as sweet little household pets, the one could have been a Great Dane and the other any sweet little puppy, but not the creepy or scary gargoyles that sit atop buildings, ironic right?